Showing posts with label shoes. Show all posts
Showing posts with label shoes. Show all posts

Thursday, January 26, 2012

American Spirit on ASOS

For this year's Future Stylist competition, online mega-retailer ASOS had chosen me to represent American menswear. The theme was "dressing up denim", and I chose to do my interpretation of the Texas tuxedo: double-denim gone surrealist. As seen on this blog multiple times, my favorite way of wearing denim is with more denim, like a cowboy. I topped off the look with saddle-leather shoes and handcuffs for arresting bandits at the saloon. Photographs are by the immensely talented Ashley Dupree.

Number (N)ine sunglasses, Vivienne Westwood x Lee asymmetrical denim shirt, ASOS necklace and jeans, vintage Florsheim shoes

metallic green ASOS handcuff necklace over the Vivienne Westwood asymmetrical collar denim shirt

silk ribbon from the Rivane Neuenschwander installation at the New Museum, Hermés bracelet, Cartier watch

vintage Florsheim longwing brogues, green laces from Hook + Albert


Vote for me here: http://asos.to/VoteIzzy

Contest ends on Wednesday, the 1st of February.

photographs by Ashley Dupree
clothing c/o ASOS

Wednesday, January 25, 2012

Treasured Items: Number (N)ine Monkstrap Creepers

Style Salvage had asked me to contribute to their "Treasured Items" series of posts on the blog, in which I shared my devotion to my Number (N)ine monkstrap creepers. The post had come up a few days ago, and I thought I'd share it with you, my dear readers.

It would render me practically footless if I lost these Number (N)ine monkstrap shoes that I had purchased at the store's closing sale in New York two years ago. The silhouette is of a classic slim monkstrap shoe, but with punk-rock creeper detailing, tough and extremely walkable hard rubber soles by Continental, rendered in ever-wearable dark beige suede. Their era- and style-ambiguity make the shoes as great a base for dark and conceptual Belgian pieces as they would with full-on Americana, and the high vamp provides ample coverage that allows me to wear them even on the deadest day of winter.

I've worn them so much so that the lines are going squiggly and the weave goes gaping open. There is a faint white stain on the left shoe (toothpaste fell; I was brushing in a hurry) that suggests perhaps a bird might have gone to the bathroom on my shoes, but I think I'll keep it on there.

Number (N)ine is now defunct, and though the designer Takahiro Miyashita still brings his artisanal romance to his new line The Soloist, nothing would compare to the dark, theatrical exuberance that was Number (N)ine. In honor of the brilliant designer, I've affixed medal of sorts on one of the shoes: a vintage shoe clip from Kings County Salvage in Williamsburg. I could only hope that the intense brilliance of the rhinestones against the battered, seemingly bird-defiled creepers would be something Miyashita-san would find at the very least, agreeable.

Friday, January 20, 2012

Mint and Peas

Mint and peas, and a little bit of carrot: the colors I'm crushing on are not quite jewel-toned, not quite neon, but are darned delectable.

pea green suede New Balance ML574 sneakers (c/o ASOS), mint green and periwinkle striped shirt from American Apparel, orange Hermés looping bracelet

It's the island boy in me craving a bit of sunshine, and on select days in the dead of winter, under my padded parka, you just might find me dressed like a cupcake.

On other days, you'd see me all black and wooly and minimal, punctuated by a pop of chunky classic sneaker in a funny color. (New Balance ML574 sneakers and my superwarm supercomfy everyday socks c/o Stance)

Monday, January 9, 2012

The Perfect Black Coat

The perfect black coat did not come to me perfect, and it is highly likely that it won't for you either. Right after it had arrived at my apartment, I wrote down my own fit notes, compared them with what my trusted tailor thought needed some nipping and tucking, and after two rounds of revisions, I'm very pleased to have the classic trim black coat that I hope to wear for years to come. In the dead of winter, when hordes of men walk down the street in what looks to be trash bag shape layered upon trash bag shape of fleece and puffy nylon, it makes a world of difference to put a little effort into presenting yourself smart and tailored.

Illesteva sunglasses, Jil Sander for Uniqlo cashmere scarf, Black Sheep and Prodigal Sons stick pin, Maison Martin Margiela coat, vintage gloves, Uniqlo pants, Paul Smith chelsea boots

Off the rack, the coat was already incredibly beautiful: strong, slightly extended shoulders that fit me to a t, long, sweeping lines on the shawl lapel, and delicious smooth black wool with the slightest hint of sheen. But a lot of work still needed to be done: I had to get the sleeves taken in slim, the waist nipped tiny as possible to provide sharp contrast to the power shoulders, and the entire coat shortened to a much more wearable above-the-knee length from the previously more dramatic and swishy, but less wearable below-the knee. Men's bodies may not come in as large a variety of shapes as women's bodies do, but it is knowing what to do with the subtle nuances of a man's body shape that makes for great tailoring. I think Angela at G&G tailors did an impeccable job at making my vision of the perfect black coat come to life.

the perfect black scarf---a ridiculously soft and unbelievably light and warm black cashmere woven scarf from +J, and my new favorite sterling silver whale stick pin from Black Sheep and Prodigal Sons beautifully accentuate the shawl lapel on this Margiela coat

trademark Margiela power shoulders

Subtly colored shoes, like this Paul Smith pair in pale pink suede, help break the monotony of my all-black winter.


photographs by Mikee Tuason

Monday, December 26, 2011

Scarlet Sneaks

Ever the dress-shoe-as-sneakers person, I thought I'd turn the tables this holiday season and wear something colorful, skater-esque, and decidedly casual on Christmas day. I dug up a pair of Vans Old Skools in bright red, from the old old days when I was still in college. It was inevitable---the LN-CC look book, Pelayo Diaz, and that dashing Japanese gentleman walking around the Lower East Side in head-to-toe boiled black wool Comme des Garçons and Batali-esque orange Chucks---capping off a quirky "fashion" outfit with casual, classic sneakers was something I had to try out myself.

Comme des Garçons jacket, Junya Watanabe for Comme des Garçons sequined batik and silk shirt, Uniqlo pants, red Vans Old Skool sneakers

I thought my new vintage lion-man head pin was very Philip Crangi.

my scarlet sneakers on Ivy's cow rug

photographs by Mikee Tuason

Monday, December 19, 2011

La Maison Kirzhner

Saturday evening was the annual holiday party at the home of my friends Ivy Kirzhner, shoe designer, photographer, and all-around creative soul, and her husband Alex, Grammy-nominated art director and superchef, whose skills as a hosting-with-the-most team I could only aspire to slowly learn. Soon, perhaps, and it'll be cemented on the day I could afford to build a dwelling place as beautiful and as indicative of my personal style as this is of theirs. Walking into their abode, decorated for the festivities in Ivy's splendid maximalism---tapestry, taxidermy, and pelt---was bit-by-bit creatively inspiring.

Their tree was decorated with bird wings,

and little storybook rabbits.

Ivy's Giambattista Valli patent leather slippers

and "Alexey Romanovich, Il Re della Cucina"

welcome you to the holidays at La Maison Kirzhner.

Here's what my eyes and lips feasted on:

a partitioned head, a colorful bird atop an old typewriter, bug specimens

a vintage Polaroid Land Camera

red velvet mini cupcakes

Turkish "cotton candy" and Turkish delight (note to self: layering bought desserts could be more interesting than serving them in sections on a platter)

Ivy's easy holiday cocktails: Prosecco with a splash of St-Germain, and the Orient Express: sweet tea, cranberry juice, and rose water

I wanted to be both dark and festive for the holidays, and perhaps a little bit naughty. I wore:

a Thom Browne for Black Fleece tuxedo jacket, a Uniqlo black oxford button-down, and a Brook & Lyn silk rope and Brazilian agate harness. (photo by Bob Shimosato)

a sparse but storied wrist party on Citizen Couture's Jason Jean: the most charming plastic bracelet inscribed with the words "What This Says Does Not Matter" from a gum ball machine at Art Basel, and a string bracelet he got conned into purchasing from a street-roamer in Milan

the Kirzhner's bundle of joy: a bunny named Bonkers

whose likeness you'll find punched into their party favors

In a city where event invites flood both your e-mail and Facebook inboxes, where time is of the essence, and orchestrating a thirty-minute coffee date feels like pulling teeth---sweet, intimate dinner parties where you can sit and converse and view your friends in sufficient light are such rare, rare gems. Ivy, Alex, and Bonkers, thanks for the wonderful evening, and to you, my dear readers, happy, happy holidaze.

Thursday, December 15, 2011

Revisiting Boston

Back in Boston for three days, I thought I'd revisit old stomping grounds and old sartorial habits. When the temperature drops to the thirties, Fauxji Yamamoto is my go-to look. A long oversize black coat eliminates the need for long johns, cleanly cloaks away the awkwardness of carelessly piled-upon layers, and hides a multitude of dietary sins.

Illesteva sunglasses, oversized vintage Pierre Cardin coat, vintage turtle pin, Club Monaco cashmere sweater, Portolano leather gloves, Uniqlo pants, Dr. Martens pony hair oxfords

the coat, the turtle pin, and the leather gloves

Dr. Martens pony hair oxfords

Christmas tree at the Commons

Harvard Square

late afternoon tea at Upstairs on the Square

a nightcap of decaffeinated cappuccino, but wait--

a quick stop at Middlesex Lounge, the old stomping grounds

(the comfort of) driving around MIT

Koreana in Cambridge ranks among the top five of my favorite restaurants in the United States.

Koreana's seafood and scallion pancakes

prime rib galbi with a halo of little side dishes called banchan

and it is finished.

the walk to the Bolt Bus back to NYC

first three photographs by Mia

Wednesday, December 14, 2011

Tech Tux

I'm at my uncle's in Boston for a quick holiday---the one who lives at the Ritz, acts more like a Gen-Yer than a baby boomer, flies to China for medical missions, the one who happens to have a pair of unworn Prada shoes in my size to be freely given away to his most favorite of nephews.

Prada patent leather lace-ups

I was hesitant at first; where was I to wear a pair of rubber-soled, pointy-toed black-tie shoes? But there was something about everything being so not of-the-moment: the patent, the pointy toe, the Prada Linea Rossa stripe at the bottom that made it so refreshing. It's the pair of shoes I'd wear with a hyper-heat-generating tuxedo or a tux made out of Tyvek.

In the late 90s, these brand badges were my holy grail when the red Prada Sport stripes crept a good centimeter and a half up the back of the heel. As tiny dashes today, I could learn to live with them, and even love them.

with my overused and much-loved Prada saffiano and nylon travel bag

What are your new shoe acquisitions?

Afternoon at Atelier Oumlil

I paid a visit to Hisham Oumlil's studio last weekend and was pleasantly surprised by what I found. Oumlil, who had started his line in the fall of 2006, had been relatively under the radar since, with the business being mostly made-to-measure. Notable among his private clientele is the legendary Andre Balasz, owner of the Standard Hotels. The designer had been doing ready-to-wear for a few seasons now, and though the clothes didn't exactly make love to me through the lookbook photos, seeing and feeling how well-made the pieces were and hearing Hisham's passionate and inventive thoughts on menswear made the brisk Saturday showroom visit all worthwhile.

the most glorious swingy Oumlil zip-up leather blazer in burgundy-prune: a shade of maroon with touches of brown and an ever so subtle hint of purple

A signature of Oumlil's is this hand-pleated silk blend fabric, here used as a highlighting touch on the back panel of a jacket.

Oumlil is especially fascinated with the shape of the back of a man's jacket, and curve by which his jackets hug the back is just exceptional.

He uses the same pleats on a pair of powder blue shorts, perfect with a white button-down, or a diaphanous white t-shirt, espadrilles by Hermés---on the Riviera (!), a fruity drink, and a new blue Rolex Submariner won just last night at the Monte Carlo.

The pleats lend a vaguely military vibe to a jacket in bluish gray wool.

cap-toes in denim and leather

bottoms


Oumlil is very passionate about the work he does; he does all the sketches and is very heavily involved in pattern making and finishing. Here the designer explains the many layers of linen canvas that go inside a jacket, and how these can be lessened or added to according to the climate in the area where the client intends to wear the jacket.

doodles: ideas for collars, gloves, jackets, and even womenswear


Oumlil's official site

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